123 Studios, one of South London’s top recording studios has been set up by Producer/Engineer Brett Shaw (Florence and the Machine, Lady Gaga, Daughter, Clean Bandit), next to Peckham’s Bussey Building in one of London’s most exciting new creative developments. Only 15 minutes from the previous 123 Studios (Shoreditch High Street) on the Overground.
With a combination of vintage and modern gear combined with an in-house Producer/engineer who has regular chart success, make 123 one of the hottest studios around.
One of South London’s very best sounding recording studios
Large live and control rooms with booths
Production, Recording, Mixing, Mastering all available (We are a fully accredited “Mastered for Itunes” Mastering house.)
High-end vintage and modern recording gear
Backline available at no extra cost
We specialize in band recording and is ideal for full band tracking live
Newly installed vintage SSL console – “No other mixing desk has ever had such a profound effect on the wider music business” -Musictech.net
We can afford to be competitive on price, as engineer costs can be included – Get in touch for unsigned rates and production deals.
Brett Shaw (Resident Producer, Engineer, Mixer) Has spent the start of 2017 out in LA recording the new Florence and the Machine album. Other recent work includes recording on Lady Gaga‘s No1 Billboard chart album- “Joanne” with Mark Ronson (Brett’s fourth official No1 recording credit). Previously he has recorded with Clean Bandit on their track “Rather be” that won Best Dance Recording at the GRAMMYS, and producing a track on Florence and the Machine’s current album, How Big, How Blue, How Beautiful– (Deluxe edition that went to number 1 in the U.K the U.S and twenty other countries album charts) as well as have several other top ten and twenty recording credits to his name. “Rather be” went on to become the fasting selling single since “Spaceman” by Babylon zoo in 1996 as well as receiving the most streams in a single week on Spotify ever! (1.09 Million, and 200 million youtube views) It was also voted 4th best song of 2014 on Billboard and won Best contemporary song and Most performed work at the 2015 Ivor Novello awards.
123 Studios features a spacious live room, a large control room with fully soundproofed programming and writing rooms all centered around a main communal lounge that creates an inspiring creative space for a musical community here in South East London.
The main studio makes use of a great selection of over 20 discrete class-A preamps and DI’s, along with a mix of vintage and some of the finest modern microphones around. (Vintage Neumann 87/84’s Bock 251 and Ifet, Flea 47, Coles 4038s, Rca 77d, AKG 414 and d12, M160, 241s, RE20s etc) All recorded to an HDX rig with Pro Tools 12 or 10 on an 8 core mac pro with the latest LAVRY GOLD and 32 channels of the new Avid HD I/O converters.
The newly installed (Keith Skerret restored) SSL E series “was considered the Rolls Royce of recording consoles in its day” (George Gilbert, former Chrif engineer at SSL). Vintage SSL desks are responsible for mixing more hits than any other console in history.
With highly accurate monitoring and lots of classic outboard gear including ATC 50 SCM50a, UREI 1176,1178, La2a, API 2500, Distressor and DBX 160x, Chandler TG1, Curve Bender, Red 47, API 550/560, Chandler Little Devil, Harrison, Hammer and TONELUX EQs, 123 makes for a great mixing environment. Its a modern studio set up that is designed to be simple to use for other engineers.
The mix room was built with the premise of asking acoustician Nick Whitaker (Abbey Road, Olympic studios, The Engine room, The Albert hall) what is exactly the perfect size and shape room to get the best/most accurate monitoring possible.
The live room acoustics are easily changed by an adjustable ceiling drop that changes the length of the natural room reverb, going from a large open sound to a tight punchy one in just a few seconds.
The studio specializes in live band tracking with two additional booths with great sight lines, suitable for various sources of acoustic/vocal or amped instruments.
BRETT SHAW ( http://www.miloco.co.uk/engineers/brett-shaw.php )
Artists recorded at 123 studios – Florence and the Machine (Island), Still corners (Sub pop), Babydaddy (Scissor Sisters), Aquilo, (Island), Hawk House (Virgin EMI), Saint Raymond (Asylum records), Juce (Island), Alex Burey (Universal publishing), Cosima (Island records), Gabriel Bruce (Luv Luv Luv),Daughter (4AD), Swim Deep (Chess club), Clean Bandit feat Jess Glynne (Atlantic), M.I.A (Interscope), Eliza Doolittle (EMI), Rita Ora(RocNation), Say Lou Lou (Sony), The Kooks (Virgin), Labrinth (Sony), Noisettes , Jamie T (Pacemaker), Dry the river (Sony), Splashh (Luv Luv Luv), Jack Bruce (Cream) , Mutya, Keisha and Siobhan (the original Sugababes), Violet ( Luv Luv Luv ), Roisin Murphy (Moloko), Marcus Foster (Communion), Kyla La Grange(Chess Club/Sony), Shuga (Luv Luv Luv), Funeral Party (Sony Music), The Black Ghosts (Southern Fried),Wolfgang (Atlantic/Warners Records), Iggy Azalia (Island), Ghostpoet (Brownswood), Skepta and Ed Sheeran(Atlantic).
(Always judge a studio on the music coming out of it!)
- 123 Studios South London recording studios live room
“I think that you have done a remarkable job Brett, you have definitely got the strong makings of two very good rooms…it does appear to be an inherently good room” Nick Whitaker acoustician (Abbey road, British grove, The Royal Albert hall, The Engine room etc etc etc).123 Studios South East London recording studio control room
123 Studios floor plan
Currently offering production deals for unsigned acts. Please contact for more details.
“With this new studio, I asked acoustician Nick Whitiker- What is the best room shape and size for monitoring? His response is what we created. A 42sqm control room connected to a beautiful live room with high ceilings and great acoustics. Anyone who has ever mixed in Miloco’s Red rooms studio will know what a great mix room it is, the new control room here is built to the same shape and dimensions for exactly those reasons. ”
Brett Shaw, Producer and Studio Owner at 123 Studios.
We have three long term let rooms here at the studio, though all are currently taken.
TELEPHONE: 0207 732 8370
If you can’t get through on the landline please call the mobile below or email, thanks.
“Thanks again so much, the tracks sounded great. Ace tones from you and everything worked really well together. Drums sound ace. It all sounds ace. So happy.” Ewan Peason, producer (The Rapture, Gwen Stafani, Delphic)
“Thank you Brett, it sounds beautiful” Mark Ronson
“Hey dude. This sounds amazing! Really.” Paul Banks (interpol)
“Thank you sounds so great! Great mix xxx “ Florence Welch
“It all sounds great! thanks for a fun session, I hope we can do it again soon.” Leo Abrahams (Producer, Paulo Nutini, Brian Eno, David Byrne)
Hear the sound of the studio below,, (Brett Shaw has worked on all tracks below in some form at 123)
Aadae – River of tears (Brett Shaw Production, Engineering, Mix, Master)[
Rina Mushunga AtalantA 200 000+plays on soundclound (Brett Shaw Production, Engineering, Mix, Master)
George Taylor – “Give it up” has over two and a half million plays on Spotify and is an unsigned artist
(Brett Shaw Production, Engineering, Mix, Master)
Banks and Steel (Brett Shaw – Engineering)
Fours “Painful to watch” 180 000+ plays on Spotify and are unsigned
( Brett Shaw- Production,engineering)
Bilal Kahn “Save me” has 100 000+ plays on Soundcloud and is an unsigned artist (Brett Shaw -Production, Engineering, Mix, Master)
Clean Bandit “Rather be ” Won the Grammy for best Dance recording
(Brett Shaw – Engineering)
Nina Scofeild (Brett Shaw -Mix)
Daughter (Brett Shaw -Engineering)
Jagarra (Brett Shaw -Production, Engineering, Mix, Master)
Jake Morrel (Brett Shaw -Production, Engineering, Mix)
Pillars (Brett Shaw – Engineering, Mix)
Kyla La Grange (Brett Shaw -Production, Engineering)